About Sparkling wines, save the bubbles

Date: September 24, 2010

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Sparkling Wines … save the bubbles …

Wines with bubbles are associated, for many people, primarily with festivities and celebrations. More precious and complicated to make than still wines, they have traditionally been considered as occasional extravagances. With higher acidity, more delicate flavor, their unique palate tingle and lower alcohol than most table wines, they are, however, some of the most versatile wines to accompany food. Modern production techniques have brought sparkling wines to market that are more affordable and accessible for everyday enjoyment.

Bubbles in wine were known to vintners long before they could reliably capture and preserve this phenomenon in the bottle. As a natural byproduct of the fermentation process, carbon dioxide is released in the liquid to provide a “sparkle.” In the Northern climates, cold weather sometimes arrives early after harvest, stopping fermentation before the sugar is completely used up. Warm weather in the spring often causes it to start up again, resulting in carbonated wine. The English imported wine in casks. They found also that adding sugar to tart, acidic wine would often soon cause it to sparkle and they developed a liking for it. English bottles were much stronger than those in France and not as inclined to burst when the pressure built up.

Early success making sparkling wines in the French district of Champagne made its name famous, so much so that “champagne” has become generic for sparkling wine, to the eternal aggravation of the resident producers¹. The Champagne Appellation has some of the strictest, most exacting standards for growing, producing and labeling of any area in all the wine world.

Cheap American brands have long copied the Champagne name, but neither the standards, nor the methods. Quality American producers of sparkling wine often emulate the standards, apply the traditional production methods and, out of respect and in deference, leave the Champagne name to the originals. The European Union continues to support and enforce protecting the Champagne name. In January, 2008, Belgian customs agents destroyed 270 cases of California sparkling wine destined for Nigeria because it was labeled “André Champagne.”

The Méthode Champenoise involves many specialized steps in both viticulture and enology has taken centuries to evolve, through the contributions of scores of inventors, innovators, and workers, both famous and nameless. Modernization and refinement of the “traditional” sparkling wine process continues to this day, although its beginnings are in antiquity.

Around the 1690s, a Benedictine monk named Dom Perignon made some very significant developments as cellar master at the Abbey of Hautvillers in Epernay. His celebrated remark “I am drinking stars” brought him great fame, but Dom Perignon did not, in fact, “invent” Champagne. There is even a possibility he may have uttered his phrase, not out of jubilation, but rather from remorse. It is fairly certain that Frere Perignon long attempted to find a way to remove or prevent the bubbles, before he accepted and embraced them. His innovations of selective harvesting and blending probably were experiments towards this end. His early contributions did provide the impetus to eventually develop modern Champagne.

He had the idea to harvest selectively, over a period of days rather than all at once, so that only the ripest fruit was taken with each pass. He also is credited with inventing the Coquard or “basket” wine press and using it to make the first “Blanc de Noir.” Another of his major developments was to blend wines of different vineyards and varieties to achieve better balance between their individual characteristics. He was an excellent taster and his cuvée system is still followed closely to this day by the house of Moêt & Chandon to produce their finest Champagne.

Finally, although corks had already been used by the Romans as closures for wine bottles, and the seagoing and trading English had corks and made sparkling wine several decades earlier than the landlocked Champagne area, Dom Perignon has been credited with the idea of using string to secure these stoppers in the bottles, thus retaining the sparkle for long periods of time.

Methode Champenoise would not be as we know it without the significant developments and improvements made by many others during the Nineteenth Century, including Jean-Antoine Chaptal (quantified the proper amount of sugar to set the alcoholic strength, c. 1801), Madame Nicole-Barbe Clicquot (inventor of riddling and dégorgement, c. 1810), Jules Guyot (pioneer of planting vines in rows, training vines onto trellises, and pruning methods, c. 1835) Adolphe Jacquesson (inventor of the muselet, the wire cage/metal cap contraption that retains sparkling wine corks, c. 1844), and more.

The traditional way of making sparkling wine begins with the grape harvest, which is always early in the season compared to the picking of still wines. Picking when sugars are relatively low keeps the alcohol low, since secondary fermentation will boost it later. Also, the youthful acids help to preserve the wine over the long course of its development. The grapes are pressed immediately, by-passing the crushing equipment, to avoid both oxidation and color in the wine.

Cuvée
The initial fermentation takes place most often in stainless steel tanks, although many varieties of container, from concrete vats to redwood tanks, are used. After the usual period of three weeks or more, when all of the natural grape sugar has been converted to alcohol, the wine is “dry.” While the wine rests in a cold environment, solids and particles settle to the bottom. The clear wine on top is then racked or siphoned off the murky lees. Sometimes it is aged in oak barrels during or after this clarification and racking. The new wine is quite weak in flavor, very tart and low in alcohol. It may then be blended with stocks of older wine saved from previous vintages, to keep a consistent “house” style, or cuvée.

At bottling, a small amount of sugar that has been dissolved in old wine, along with special yeast is added. This liqueur de tirage assures a uniform secondary fermentation in the bottles. Until the application of three scientific contributions, making sparkling wine could be more dangerous than making bombs. The proper amount of sugar to add for balanced wine was quantified by Jean-Antoine Chaptal in 1801; Pharmacist André François invented, in 1836, a way to measure the remaining amount of sugar in wine; and Pasteur explained the fermentation process in 1857.

En Tirage
Some producers now insert a small plastic reservoir, called a bidule, which later aids in collecting and removing the sediment. After closing with cork-lined metal crown caps, the bottles are stored on their sides in cool cellars while the yeast ferments the sugar, boosting the alcohol and producing the bubbles of carbon dioxide. At this point, the wine is only half made, although the wine will become complete and reach the consumer in this very same bottle. The cuvée is now en tirage. This phase may span from two to several years. Meantime, the bottle stacks are observed for the inevitable breakage that occurs; flawed glass is sometimes unable to withstand the pressure that gradually increases to 100 pounds or more per square inch.

Remuage
During the secondary fermentation, sediments form from dead yeast and solids left behind during the initial clarification procedures. Consolidating the sediments for removal is another long process, known as remuage. This sediment is very fine, sludgy and sticky. Removing it from the bottle, without removing the wine, is a problem. Getting it to collect in the neck, near the opening, is the first step. In 1805, Nicole-Barbe Ponsardin Clicquot, became a young widow and head of a major Champagne house. Seeking assistance from gravity, she cut holes in her kitchen table, in order to invert the bottles. She found that shaking helped loosen the sediments, although some still stuck to the bottle bottoms. In 1810, she employed Antoine Muller and he improved the procedure by beginning with the bottle at a 45° angle, gradually increasing the angle with each shaking, until the bottom was up, the neck straight down.

Traditionally, the bottles are placed at a forty-five degree angle, necks-down, in specially built “A-frame” racks, called pupitres. An experienced worker grabs the bottom of each bottle, giving it a small shake, an abrupt back and forth twist, and a slight increase in tilt, letting it drop back in the rack. This action, called riddling, recurs every one to three days over a period of several weeks. The shaking and twist is intended dislodge particles that have clung to the glass and prevent the sediments from caking in one spot; the tilt and drop encourage the particles, assisted by gravity, to move ever more downward; the time in between riddlings allows the particles to settle out of solution again.

Computer-automated machines called Gyropalettes accomplish the riddling chore in batches, using movable bins containing hundreds of bottles rather than by the individual bottle. Invented in Spain, they became common in all sparkling wine producing countries the late 1970s. This mechanization has meant saving time, space and production cost for the producers. Hand riddling requires a minimum of eight weeks to complete; gyropalettes finish the task in under ten days.

While automation means that a bit of the romance of wine is lost for consumers, this application of modern technology compensates by increasing product consistency from bottle to bottle. Production cost savings also has allowed the introduction of traditional method sparkling wines into the lower price end of the market where formerly only bulk or mass-produced wines competed.

Whether riddled by hand or machine, in the end, the bottles are standing nearly straight upside down, with the sediment now resting on the caps. Kept in this position, the bottles are transferred to bins where they are stored, necks down, until ready for shipping to market. The final operations that ready the wine for sale are removing the sediment formed during aging, topping up the contents, adjusting the sweetness level to the house style, replacing the crown caps with corks, wire hoods, and finally, applying foils and labels just before packing the bottles in cases for shipment.

Dégorgement
Removing the sediment from the bottles is a process called dégorgement, or disgorging. The bottle necks are dipped in a solution of freezing brine or glycol. This freezes a plug of wine and sediment in the top of the neck. Skilled workers then invert each bottle as they uncap it, releasing a small amount of wine as the plug of frozen sediment flies out. The bottle is then topped up with a dosage of reserve wine, sweetened to the right amount for the determined style, also known as the liqueur d’expedition. Modern bottling lines accomplish these tasks mechanically with amazing speed and precision. Méthode Champenoise takes normally from two to five years to complete, depending on the house style.

In addition to the normal smell and taste criteria of still wine, sparkling wine quality is judged by the size of the bubbles (smaller is better), their persistence (long-lasting is better) and their mouth feel (how well the bubbles are integrated into the wine and the relative smoothness or coarseness of their texture).

There are, in fact, other processes to put the sparkle in wine. Techniques have been developed that are very different and, many would argue, inferior to the Méthode Champenoise, based on sensory judgment. Twentieth century technology brought, besides injected carbonation, the Charmat or “bulk” process, and the “transfer” process.

Sparkling wine made by the transfer process, follows the same procedure as Méthode Champenoise, up to the point of bottling. The secondary fermentation does not take place in the actual bottle sold to the customer. The wine is bottled en tirage. However, immediately following secondary fermentation, the fermentation bottles are emptied under pressure and the wine filtered. This replaces the rémuage, riddling, and dégorgement steps. The transferred wine is then bottled under pressure into a new set of bottles that are shipped to market.

The major varietals used for (French) Champagne are Chardonnay, Meunier, and Pinot Noir. Many American producers of quality sparkling wines adhere to this list, although very little Meunier is grown here. Other sparkling wine producers worldwide can and do use anything from Thompson Seedless to various clones of Muscat. Blanc de Blancs is used to designate white wine made only from white (green) grapes; Blanc de Noirs is white wine made only from black (red) grapes.

The Transfer Method, invented in Germany, does not have a proprietary name (possibly because no individual or commercial entity would claim it). On wines sold in the United States, it is only announced by a deceptively subtle packaging regulation. The label statement “Fermented in this bottle” means Méthode Champenoise, whereas “Fermented in the bottle” refers to the transfer process; so much for reading the fine print.

Transfer is considerably less expensive and time-consuming than Méthode Champenoise. The transfer method goes from harvest to bottling in as little as ninety days, up to one year. Proponents claim the transfer method produces a more consistent product from bottle to bottle; detractors say the process strips flavor elements, especially yeast flavors. Many Champagne makers commonly use the transfer method to produce any size bottle smaller than 750 milliliter or larger than 1.5 liter.

Eugene Charmat, a Frenchman, invented his process in 1907. Instead of individual bottles to produce the secondary fermentation, he invented the glass-lined tank. The wine stays under constant pressure in bulk, through the filtering and bottling process, which takes as little as ninety days from picking to bottling. Charmat is also known as the Bulk Process.

Both the transfer and Charmat process are time and money savers. There are knowledgeable wine critics who contend that the different methods of producing sparking wine can each produce equal quality product given the same fruit to begin with. These critics are in the minority and commercial attempts at high quality Charmat or bulk process sparklers are few and far between.

Differences between the processes are readily noticeable in their end products. Both the transfer and Charmat wines usually have larger, less-long-lasting bubbles. Méthode Champenoise bubbles are usually more integrated into the wine and longer lasting. Also, because of the additional time Méthode Champenoise takes to clear the wine of sediment, the flavors of yeast autolysis (chemical breakdown) add complexity and a creaminess to the wine that is absent in the faster methods.

Style is determined by the maker. There is a Common Market Standard for levels of residual sugar (in parentheses) in sparking wines, but adherence is voluntary. Brut nature (.0-.5%) should taste bone dry. Brut (.5-1.5%) should taste dry with no perception of sweetness. Extra Dry (1.2-2.0%) tastes slightly sweet and is a style invented for the American market that “talks dry and drinks sweet.” Sec (1.7-3.5%) literally translates to “dry”, but is noticeably sweet. No wonder the public is confused! Demi-Sec (3.3-5.0%) is very sweet and Doux (over 5.0%) is extremely sweet. (see our Tasting Notes)

French sparkling wine not made in the Champagne region is labeled Vins Mousseux. Italians call their most well-known sparkling wine Spumante, the most popular one made in a sweet style with Muscat grapes grown around the town of Asti. Prosecco is another Italian sparkling wine, made from grapes of the same name, that has gained tremendous popularity since its introduction to the American market in 2000. Sekt is the German designation for sparkling wine. The Spanish call their sparkling wines Cava, if made by Méthode Champenoise.

When labeling American sparkling wines, producers don’t conform to the European standards of dryness, although they do follow the same hierarchy of nomenclature: “Natural” is drier than “Brut”, which is drier than “Extra Dry”, etc.. The general guide for American “champagne” is: the cheaper they are, the sweeter they taste.

Most sparking wine is non-vintage, which allows the winemaker to blend older wine with the new, to achieve a consistent flavor style. These non-vintage dated wines are ready to consume immediately and should be within one or two years. Slowly but surely, they will begin to deteriorate; further aging does not improve these wines at all.

Vintage-dated Champagne or sparkling wine can usually benefit from some bottle-aging, provided the consumer enjoys the older, richer, fatter, less vivacious flavors that will ensue. There is generally no improvement more than ten years beyond the vintage date, although there are cultists with curatorial interest in old Champagne who might disagree.

Sometimes a Méthode Champenoise producer will leave the wine en tirage for an extended period of years and then bottle a “Reserve” or “Late Disgorged” bottling. These wines are mostly vintage dated, usually a decade or more old when released for sale, and also immediately ready to consume.

Consumers would do well to realize that aging is an intrinsic part of the process of making sparkling wine. The vast majority of sparkling wines, including true Champagne, will lose both flavor and fizz after a couple of years in the bottle, especially when not stored under optimum conditions. To celebrate that special wedding anniversary, it is much better to enjoy a freshly-purchased bottle of the same brand originally enjoyed than to suffer through one saved from the event itself.

Source: http://www.winepros.org/wine101/sparkling.htm

Clark Wine Center was built in 2003 by Hong Kong-based Yats International Leisure Philippines to become the largest wine shop in Philippines supplying Asia’s wine lovers with fine vintage wines at attractive prices.  Today, this wine shop in Clark Philippines offers over 2000 selections of fine wines from all major wine regions in the world.  As a leading wine supplier in Philippines, Pampanga’s Clark Wine Center offers an incomparable breadth of vintages, wines from back vintages spanning over 50 years.  Clark Wine Center is located in Pampanga Clark Freeport Zone adjacent to Angeles City, just 25 minutes from Subic and 45 minutes from Manila.

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Buy wine in Pampanga, Philippines at good wine shops and boutique wine stores that offer good selection of good vintage wines at all price points. Wine lovers in Philippines can find good wines from major wine regions around the world in wine shops in Manila and Pampanga. Among the good selections of fine vintage wines from Italy, Spain, Portugal, Germany, Austria and other parts of Europe. Rare vintage wines from Vega Sicilia, Biondi Santi, Sassicaia as well as the Ice wine from Germany can be found in good wine shops around Manila. This makes it easy and convenient for wine lovers to buy wine in Manila. If you are thinking of buying wines to give as gift in the Philippines, then contact Yats Wine Cellars now because they offer special vintage wines suitable as gift at all price points. Since most of these wines are not available in Manila, these wine gifts are excellent choices for corporate gifts as well as wine gifts for personal and social purposes.

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